Global Mosaic Foundation
We identify what the field has overlooked.
We build what the artist cannot build alone.
We bring it to the stage.
The most important work being made in the world right now is being made in places the producing industry has not yet turned to look. GMF turns to look. Then we build the stage.
GMF exists because the producing industry’s field of vision is too narrow. Work of extraordinary merit is being made outside the major capitals, outside the established networks, outside the funding structures that determine what reaches the stage. GMF is the institution that finds it, funds it, and produces it at the level it deserves.
“The machine” is the apparatus a production actually needs. GMF holds all five parts of it in-house, which is why a work can come in with nothing but merit and still reach a stage.
Discovery, selection, dramaturgy and development. We decide what deserves the whole apparatus.
Finance, rights, contracting and casting. The conditions a work needs, assembled around it.
Direction, design, rehearsal and technical realisation. The work made at its full intended scale.
Venues, touring, transfers and partnerships. The distance a work is carried without being diluted.
Publishing, documentation, archive and canon. What remains once the room goes dark.
Working internationally, across five continents.
Fragments of Brilliance is GMF’s programme for theatrical works of exceptional merit that cannot secure funding, production infrastructure, or institutional support through any other route.
It is not an incubator.
It is not a grant.
It is a producing partnership with an institution.
A producing route. Each project keeps its own artistic world; GMF builds the infrastructure around it.
Submissions open
FOB·01
A Six Feet Apart Musical
“So close and so far, at the same place.”
Two strangers sharing a New York flat are forced into a sudden, unforeseen stasis after a global event turns their world upside down. Originally a celebrated micromusical in Miami and Madrid, expanded into a full-length production through showcases at NYC’s Chelsea Factory and Repertorio Español.
Book, Music & Lyrics by Paloma de Vega
The production
FOB·02
A play
“All entrances are closed…”
An award-winning play, supported through GMF’s Fragments of Brilliance.
Written by Roberto Thomas-Díaz
The production
FOB·03
The Graphic Novel
“Vanity working on a weak head produces every sort of mischief.”
GMF supports Duniath Comics’ graphic-novel adaptation of Jane Austen’s Emma, created in celebration of the 210th anniversary of Austen’s wittiest classic.
by Georgie Castilla · based on the novel by Jane Austen
The productionMAIN STAGE SEASON
Theatre is the unique space where the seemingly “ugly” aspects of existence can be transformed into moments of profound artistic revelation and shared human insight. Aesthetic of Awe, our Main Stage season, explores the unexpected wonder in vulnerability, intensity, decline, and endurance.
The Innerwild Fables is a series of dark fairytales for grown-ups by Georgie Castilla, set within a shared mythic universe that explores the inner wilderness of the Self through symbol and embodied metaphor. Each standalone play examines fractures, reckonings, and acts of self-recognition that shape who we become.
Written by Georgie Castilla
“Perhaps true liberation lies in embracing the memories that haunt us.”
In a desperate wish to erase his cruel past, a young man named Orlin turns to a forest witch for help. She promises him a Potion of Oblivion — but its creation demands a rare and terrible ingredient: the golden horn of a unicorn, ground to dust. Deep within the Murmuring Forest, Orlin’s hunt becomes a reckoning.
In development · coming soon
Written by Georgie Castilla
“How far would your soul travel to save you from yourself?”
When a humble fisherman named Echo falls in love with the beautiful son of the Sea-folk King, he casts his own Soul away in order to join his beloved at the bottom of the sea. Sent forth into a cold and merciless world, unguarded by the heart, the Soul begins a perilous journey to find its way home before it is too late.
In development · coming soon
Written by Adam Kay
“In this theatre, the only path to salvation is the total destruction of the self.”
This is not entertainment. It is an exorcism. Theatre is dead — long live the Theatre of Redemption. A bare stage, a black wall, a chair, four days before the premiere of a one-man show called Anonymous’ Dreams. The Last Winter of Adrian Cross autopsies the art form through the collision of two irreconcilable visions.
In development · coming soon
A work in dialogue with each place
“A work drawn in dialogue with the theatrical heritage of each place we inhabit.”
Shaped by listening, exchange, and encounter, The Living Canon places our work in conversation with local tradition, history, and voice. Rather than a fixed title, it is a living practice — one that honours inherited stories while allowing them to remain responsive to the present moment and the land that receives them.
Enters the repertory in response to place
Creative Development
A paid, intensive creative development programme for writers whose work demonstrates genuine potential and requires structured, senior-level development. Forge is not a workshop and not a feedback session.
Led personally by Adam Kay, CEO & Founder.
Writers · Paid · by application
Publicity & Design
GMF’s design and publicity programme — the identity, image and printed record that carry a production into the world.
Developed alongside the production, not bolted on after it.
The public-facing life of the work · In-house · commissioned
Support the work
GMF produces work that the major producing houses have not yet found — or chosen to take the risk on. Your support funds that risk. It funds the production of theatre that belongs on the world’s stages and will be there.
Imagination is going blind. You can help.
Patrons · Trusts · Partnerships
